
Hyperlooping
for piano four-hands
While highway interchanges exist on a large scale, a bird's-eye view of them captures not only their grandeur, but also their geometric elegance.
Katherine Miller and Calvin Hu, piano
Event details [linked here]
for piano four-hands
While highway interchanges exist on a large scale, a bird's-eye view of them captures not only their grandeur, but also their geometric elegance.
Katherine Miller and Calvin Hu, piano
Event details [linked here]
winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia
for piano quintet
i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station
Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.
Romer String Quartet
Yip Wai Chow, Kiann Chow, violins
Ringo Chan, viola
Eric Yip, cello
Philbert Li, piano
Event details [TBA]
commissioned by the Young New Yorkers’ Chorus
Alex Canovas, artistic director
text by Amy Lowell (1874–1925)
for treble chorus and piano
Young New Yorkers’ Chorus
Alex Canovas, conductor
Event details [linked here]
commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project
for oboe and piano
i. transience
ii. aria
iii. hub
Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.
Courtney Miller, oboe
Event details [TBA]
commissioned by the National Association of Teachers of Singing and the Cincinnati Song Initiative, with major support from Lori Laitman
text by Miho Kinnas
for soprano and piano
I wanted to love you
without regrets, without sorrow.
Flowers will return, its color
deeper blue
but you are not here anymore.
I didn’t know your kindness until
hydrangea swayed in the rain.
Kaylyn Taylor, soprano
Mary Elizabeth Nerren, piano
Digital première [linked here]
written for the Tasmanian Symphony Orchestra
as part of the ‘22–’23 Australian Composers’ School
for orchestra
Despite its ubiquity, water is precious––we must protect Gaia’s lifeblood.
Cabrillo Festival Orchestra
Conducting Fellows TBA
Event details [linked here]
winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia
for piano quintet
i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station
Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.
Charles Ives Music Festival Artists
Event details [linked here]
winner of the Paul and Christiane Cooper Prize in Music Composition
for orchestra
Trading routes that once took caravans months, over treacherous terrains, are now travelled in a matter of hours; Asia and Europe are merely linked by one night’s sleep.
Shepherd School Symphony Orchestra
Miguel Harth-Bedoya, conductor
Event details [linked here]
winner of a Jury Prize at the Sydney Int’l Piano Competition’s “Composing the Future” initiative, with support from Creative Partnerships Australia
for solo piano
Tiny Forests is inspired by the urban planning concept of breaking up a city’s concrete-and-glass jungle with plots of miniature forests. While small in scale, they still adhere to the principles of how forests form and grow: a nourishing layer of soil, above which lies (in ascending order) the shrub, sub-tree, tree, and canopy layers.
Andrew Nesler, piano
Event details [linked here]
winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia
for piano quintet
i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station
Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.
Whitman College faculty + guest artists
Jeanne Bourgeois, Amy Dodds, violins
Lyn Ritz, viola
Sally Singer Tuttle, cello
Rodolfo Faistauer, piano
Event details [linked here]
developed through string quartet ETHEL’s “Homebaked V” Program
for flute and string quartet
Terraria is inspired by the myriad ways of terrarium-building: many are contained within glass, some hang in the air, others form miniature forests, still others feature one particular tree or plant.
Allison Loggins-Hull, flute
string quartet ETHEL
Corin Lee, Kip Jones, violins
Ralph Farris, viola
Dorothy Lawson, cello
Event details [linked here]
developed through string quartet ETHEL’s “Homebaked V” Program
for flute and string quartet
Terraria is inspired by the myriad ways of terrarium-building: many are contained within glass, some hang in the air, others form miniature forests, still others feature one particular tree or plant.
Allison Loggins-Hull, flute
string quartet ETHEL
Corin Lee, Kip Jones, violins
Ralph Farris, viola
Dorothy Lawson, cello
Event details [linked here]
commissioned by the 2018 APAC Orchestra Festivals, in Beijing, China
for string orchestra
AMIS Asian High School Honor Orchestra
Kira Omelchenko, guest conductor
Event details [linked here]
written for the Tasmanian Symphony Orchestra
as part of the ‘22–’23 Australian Composers’ School
concerto for cello and orchestra
Whalesong is remarkably sophisticated. Its patterns of repetition and variation mirror structures found in human music; its geographical diversity suggests distinct, yet overlapping, dialects and cultures; it exhibits hallmarks of language, including grammar and syntax––we just don’t understand what whales are saying (yet).
Eduard Teregulov, solo cello
Fox Valley Symphony Orchestra
Kevin Sütterlin, conductor
Event details [linked here]
commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project
for oboe and piano
i. transience
ii. aria
iii. hub
Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.
Aitor Llimerá Galduf, oboe
Event details [linked here]
commissioned by Musiqa Houston
text by Carrie Marie Schneider
While her followers believe that she has the power to control the winds and rain, the Weather Shaman knows otherwise. She is merely a conduit for forces beyond her comprehension––forces that both nurture and endanger her community; an endless oscillation between divine kindness and cruelty.
produced by Beth Morrison Projects
Melisa Bonetti Luna, mezzo-soprano
members of Contemporaneous
Event details [linked here]
commissioned by Musiqa Houston
text by Carrie Marie Schneider
While her followers believe that she has the power to control the winds and rain, the Weather Shaman knows otherwise. She is merely a conduit for forces beyond her comprehension––forces that both nurture and endanger her community; an endless oscillation between divine kindness and cruelty.
produced by Beth Morrison Projects
Melisa Bonetti Luna, mezzo-soprano
members of Contemporaneous
Event details [linked here]
commissioned by the 2018 APAC Orchestra Festivals, in Beijing, China
for string orchestra
Apollo Ensemble
Elias Miller, music director
Event details [linked here]
First Prize in the 2020 iSING! Festival Composition Competition
for baritone and orchestra
A setting of Tang dynasty poet Li Bai’s “Quiet Thoughts by Night”《静夜思》.
The Philadelphia Orchestra
Marin Alsop, conductor
Zhou Zhengzhong, baritone
commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project
for oboe and piano
i. transience
ii. aria
iii. hub
Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.
Devin Gilbreath, oboe
Melanie Mallard, piano
developed through the New York City Ballet’s Choreographic Institute
in partnership with The Juilliard School
for flute / piccolo, viola, cello, and piano
North American monarch butterflies undergo an annual migration of epic proportions: from the forests of Canada all the way to the mountains of Mexico. A “super-generation” of butterflies complete the northward journey, following their source of sustenance, milkweed, all the way North.
Miclot Chamber Music Society
Event details [linked here]
winner of a Jury Prize at the Sydney Int’l Piano Competition’s “Composing the Future” initiative, with support from Creative Partnerships Australia
for solo piano
Tiny Forests is inspired by the urban planning concept of breaking up a city’s concrete-and-glass jungle with plots of miniature forests. While small in scale, they still adhere to the principles of how forests form and grow: a nourishing layer of soil, above which lies (in ascending order) the shrub, sub-tree, tree, and canopy layers.
Han Sol Jeong, piano
developed through the New York City Ballet’s Choreographic Institute
in partnership with The Juilliard School
for flute / piccolo, viola, cello, and piano
North American monarch butterflies undergo an annual migration of epic proportions: from the forests of Canada all the way to the mountains of Mexico. A “super-generation” of butterflies complete the northward journey, following their source of sustenance, milkweed, all the way North.
Miclot Chamber Music Society
Event details [linked here]
written for the Tasmanian Symphony Orchestra
as part of the ‘22–’23 Australian Composers’ School
for orchestra
Despite its ubiquity, water is precious––we must protect Gaia’s lifeblood.
Walla Walla Symphony
Dina Gilbert, conductor
Event details [linked here]
commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project
for oboe and piano
i. transience
ii. aria
iii. hub
Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.
Courtney Miller, oboe
Suzanne Polak, piano
Event details [linked here]
winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia
for piano quintet
i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station
Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.
Soundbox Ventures
Event details [linked here]
presented as part of Kaufman Music Center’s “Artist as Curator” series
for flute and string quartet
Terraria is inspired by the myriad ways of terrarium-building: many are contained within glass, some hang in the air, others form miniature forests, still others feature one particular tree or plant.
Allison Loggins-Hull, flute
string quartet ETHEL
Corin Lee, Kip Jones, violins
Ralph Farris, viola
Dorothy Lawson, cello
Event details [linked here]
First Prize in the 2020 iSING! Festival Composition Competition
for baritone and orchestra
A setting of Tang dynasty poet Li Bai’s “Quiet Thoughts by Night”《静夜思》.
Macao Orchestra
Zhou Zhengzhong, baritone
Yeh Cheng-Te, conductor
Event details [linked here]
commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project
for oboe and piano
i. transience
ii. aria
iii. hub
Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.
Courtney Miller, oboe
Suzanne Polak, piano
Event details [linked here]
written for the Tasmanian Symphony Orchestra
as part of the ‘22–’23 Australian Composers’ School
winner of One Found Sound’s 2023 Emerging Composer Award
Despite its ubiquity, water is precious––we must protect Gaia’s lifeblood.
concerto for cello and sinfonietta
Whalesong is remarkably sophisticated. Its patterns of repetition and variation mirror structures found in human music; its geographical diversity suggests distinct, yet overlapping, dialects and cultures; it exhibits hallmarks of language, including grammar and syntax––we just don’t understand what whales are saying (yet).
Dana Rath, solo cello
Hannah Tassler, flute / piccolo
Joshua Bullock, oboe
Triniti Rives, clarinet
Demetra Alikakos, bassoon
Nathan Cloeter, horn
Kiran Samuel, trombone
Sam Rachleff, percussion
Emily Richardson, Sofia Matthews, Hannah Corbett, David Hung, violins
Gabe Galley, Jimmy Cunningham, violas
Emma Cary, Samuel Sykes, cellos
Kevin Fink, double bass
written for the icarus Quartet
as part of their ‘22–’23 “iQ Tests” initiative
for two percussionists and two pianists
I. Triton
III. Europa
Some of the most fascinating worlds in our Solar System are moons that orbit gas giants. Four in particular, Triton (Neptune), Titan (Saturn), Europa (Jupiter), and Enceladus (Saturn), plausibly host liquid oceans.
Larry Weng, Ellen Hwangbo, pianists
Matt Kweon, Jeff Stern, percussionists
More details [linked here]
winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia
for piano quintet
i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station
Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.
Adrian Wang, Molin Han, violins
Jiaxin Yang, viola
Yuxuan Lu, cello
Lan Hu, piano
winner of a Jury Prize at the Sydney Int’l Piano Competition’s “Composing the Future” initiative, with support from Creative Partnerships Australia
for solo piano
Tiny Forests is inspired by the urban planning concept of breaking up a city’s concrete-and-glass jungle with plots of miniature forests. While small in scale, they still adhere to the principles of how forests form and grow: a nourishing layer of soil, above which lies (in ascending order) the shrub, sub-tree, tree, and canopy layers.
Han Sol Jeong, piano
written for the icarus Quartet
as part of their ‘22–’23 “iQ Tests” initiative
for two percussionists and two pianists
I. Triton
II. Titan
III. Europa
IV. Enceladus
Some of the most fascinating worlds in our Solar System are moons that orbit gas giants. Four in particular, Triton (Neptune), Titan (Saturn), Europa (Jupiter), and Enceladus (Saturn), plausibly host liquid oceans.
Chelsea de Souza, James Palmer, pianists
Leo Simon, William Chinn, percussionists
coached by Shepherd School percussion faculty Matthew Strauss
written for the icarus Quartet
as part of their ‘22–’23 “iQ Tests” initiative
for two percussionists and two pianists
I. Triton
II. Titan
III. Europa
IV. Enceladus
Some of the most fascinating worlds in our Solar System are moons that orbit gas giants. Four in particular, Triton (Neptune), Titan (Saturn), Europa (Jupiter), and Enceladus (Saturn), plausibly host liquid oceans.
Larry Weng, Christopher Goodpasture, pianists
Matt Kweon, Jeff Stern, percussionists
written for the icarus Quartet
as part of their ‘22–’23 “iQ Tests” initiative
for two percussionists and two pianists
I. Triton
II. Titan
III. Europa
IV. Enceladus
Some of the most fascinating worlds in our Solar System are moons that orbit gas giants. Four in particular, Triton (Neptune), Titan (Saturn), Europa (Jupiter), and Enceladus (Saturn), plausibly host liquid oceans.
Larry Weng, Christopher Goodpasture, pianists
Matt Kweon, Jeff Stern, percussionists