commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project

for oboe and piano

i. transience
ii. aria
iii. hub

Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.

Courtney Miller, oboe
Suzanne Polak, piano

Event details [linked here]

commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project

for oboe and piano

i. transience
ii. aria
iii. hub

Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.

Cindy Liu, oboe
Zachary Guo, piano

Event details [linked here]

commissioned by the Young New Yorkers’ Chorus
Alex Canovas, artistic director

text by Amy Lowell (1874–1925)

for treble chorus and piano

Young New Yorkers’ Chorus
Alex Canovas, conductor

Event details [linked here]

winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia

for piano quintet

i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station

Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.

Romer String Quartet
Yip Wai Chow, Kiann Chow, violins
Ringo Chan, viola
Eric Yip, cello

Philbert Li, piano

Event details [linked here]

for piano four-hands

While highway interchanges exist on a large scale, a bird's-eye view of them captures not only their grandeur, but also their geometric elegance.

Katherine Miller and Calvin Hu, piano

Event details [linked here]

winner of the Paul and Christiane Cooper Prize in Music Composition

for orchestra

Trading routes that once took caravans months, over treacherous terrains, are now travelled in a matter of hours; Asia and Europe are merely linked by one night’s sleep.

Shepherd School Symphony Orchestra
Miguel Harth-Bedoya, conductor

Event details [linked here]

winner of a Jury Prize at the Sydney Int’l Piano Competition’s “Composing the Future” initiative, with support from Creative Partnerships Australia

for solo piano

Tiny Forests is inspired by the urban planning concept of breaking up a city’s concrete-and-glass jungle with plots of miniature forests. While small in scale, they still adhere to the principles of how forests form and grow: a nourishing layer of soil, above which lies (in ascending order) the shrub, sub-tree, tree, and canopy layers.

Andrew Nesler, piano

Event details [linked here]

winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia

for piano quintet

i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station

Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.

Whitman College faculty + guest artists
Jeanne Bourgeois, Amy Dodds, violins
Lyn Ritz, viola
Sally Singer Tuttle, cello
Rodolfo Faistauer, piano

Event details [linked here]

developed through string quartet ETHEL’s “Homebaked V” Program

for flute and string quartet

Terraria is inspired by the myriad ways of terrarium-building: many are contained within glass, some hang in the air, others form miniature forests, still others feature one particular tree or plant.

Allison Loggins-Hull, flute

string quartet ETHEL
Corin Lee, Kip Jones, violins
Ralph Farris, viola
Dorothy Lawson, cello

Event details [linked here]

developed through string quartet ETHEL’s “Homebaked V” Program

for flute and string quartet

Terraria is inspired by the myriad ways of terrarium-building: many are contained within glass, some hang in the air, others form miniature forests, still others feature one particular tree or plant.

Allison Loggins-Hull, flute

string quartet ETHEL
Corin Lee, Kip Jones, violins
Ralph Farris, viola
Dorothy Lawson, cello

Event details [linked here]

commissioned by the 2018 APAC Orchestra Festivals, in Beijing, China

for string orchestra

AMIS Asian High School Honor Orchestra
Kira Omelchenko, guest conductor

Event details [linked here]

written for the Tasmanian Symphony Orchestra
as part of the ‘22–’23 Australian Composers’ School

concerto for cello and orchestra

Whalesong is remarkably sophisticated. Its patterns of repetition and variation mirror structures found in human music; its geographical diversity suggests distinct, yet overlapping, dialects and cultures; it exhibits hallmarks of language, including grammar and syntax––we just don’t understand what whales are saying (yet).

Eduard Teregulov, solo cello

Fox Valley Symphony Orchestra
Kevin Sütterlin, conductor

Event details [linked here]

commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project

for oboe and piano

i. transience
ii. aria
iii. hub

Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.

Aitor Llimerá Galduf, oboe

Event details [linked here]

commissioned by Musiqa Houston

text by Carrie Marie Schneider

While her followers believe that she has the power to control the winds and rain, the Weather Shaman knows otherwise. She is merely a conduit for forces beyond her comprehension––forces that both nurture and endanger her community; an endless oscillation between divine kindness and cruelty.

produced by Beth Morrison Projects

Melisa Bonetti Luna, mezzo-soprano
members of Contemporaneous

Event details [linked here]

commissioned by Musiqa Houston

text by Carrie Marie Schneider

While her followers believe that she has the power to control the winds and rain, the Weather Shaman knows otherwise. She is merely a conduit for forces beyond her comprehension––forces that both nurture and endanger her community; an endless oscillation between divine kindness and cruelty.

produced by Beth Morrison Projects

Melisa Bonetti Luna, mezzo-soprano
members of Contemporaneous

Event details [linked here]

commissioned by the 2018 APAC Orchestra Festivals, in Beijing, China

for string orchestra

Apollo Ensemble
Elias Miller, music director

Event details [linked here]

First Prize in the 2020 iSING! Festival Composition Competition
for baritone and orchestra

A setting of Tang dynasty poet Li Bai’s “Quiet Thoughts by Night”《静夜思》.

The Philadelphia Orchestra
Marin Alsop, conductor
Zhou Zhengzhong, baritone

commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project

for oboe and piano

i. transience
ii. aria
iii. hub

Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.

Devin Gilbreath, oboe
Melanie Mallard, piano

developed through the New York City Ballet’s Choreographic Institute
in partnership with The Juilliard School

for flute / piccolo, viola, cello, and piano

North American monarch butterflies undergo an annual migration of epic proportions: from the forests of Canada all the way to the mountains of Mexico. A “super-generation” of butterflies complete the northward journey, following their source of sustenance, milkweed, all the way North.

Miclot Chamber Music Society

Event details [linked here]

winner of a Jury Prize at the Sydney Int’l Piano Competition’s “Composing the Future” initiative, with support from Creative Partnerships Australia

for solo piano

Tiny Forests is inspired by the urban planning concept of breaking up a city’s concrete-and-glass jungle with plots of miniature forests. While small in scale, they still adhere to the principles of how forests form and grow: a nourishing layer of soil, above which lies (in ascending order) the shrub, sub-tree, tree, and canopy layers.

Han Sol Jeong, piano

developed through the New York City Ballet’s Choreographic Institute
in partnership with The Juilliard School

for flute / piccolo, viola, cello, and piano

North American monarch butterflies undergo an annual migration of epic proportions: from the forests of Canada all the way to the mountains of Mexico. A “super-generation” of butterflies complete the northward journey, following their source of sustenance, milkweed, all the way North.

Miclot Chamber Music Society

Event details [linked here]

written for the Tasmanian Symphony Orchestra
as part of the ‘22–’23 Australian Composers’ School

for orchestra

Despite its ubiquity, water is precious––we must protect Gaia’s lifeblood.

Walla Walla Symphony
Dina Gilbert, conductor

Event details [linked here]

commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project

for oboe and piano

i. transience
ii. aria
iii. hub

Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.

Courtney Miller, oboe
Suzanne Polak, piano

Event details [linked here]

winner of the 2021 Isidora Zebeljan Award, in Kragujevac, Serbia
for piano quintet

i. network architecture
ii. garden city
iii. airport express
iv. night skyline
v. interchange station

Mass Transit is inspired by the Shanghai metro system: an elaborate network of lines, trains, tunnels / overpasses, and interchange stations.

Soundbox Ventures

Event details [linked here]

presented as part of Kaufman Music Center’s “Artist as Curator” series

for flute and string quartet

Terraria is inspired by the myriad ways of terrarium-building: many are contained within glass, some hang in the air, others form miniature forests, still others feature one particular tree or plant.

Allison Loggins-Hull, flute

string quartet ETHEL
Corin Lee, Kip Jones, violins
Ralph Farris, viola
Dorothy Lawson, cello

Event details [linked here]

First Prize in the 2020 iSING! Festival Composition Competition

for baritone and orchestra

A setting of Tang dynasty poet Li Bai’s “Quiet Thoughts by Night”《静夜思》.

Macao Orchestra
Zhou Zhengzhong, baritone
Yeh Cheng-Te, conductor

Event details [linked here]

commissioned by Courtney Miller, as part of her “Postcard from Six Continents” project

for oboe and piano

i. transience
ii. aria
iii. hub

Airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out.

Courtney Miller, oboe
Suzanne Polak, piano

Event details [linked here]

written for the Tasmanian Symphony Orchestra
as part of the ‘22–’23 Australian Composers’ School

winner of One Found Sound’s 2023 Emerging Composer Award

Despite its ubiquity, water is precious––we must protect Gaia’s lifeblood.

One Found Sound

concerto for cello and sinfonietta

Whalesong is remarkably sophisticated. Its patterns of repetition and variation mirror structures found in human music; its geographical diversity suggests distinct, yet overlapping, dialects and cultures; it exhibits hallmarks of language, including grammar and syntax––we just don’t understand what whales are saying (yet).

Dana Rath, solo cello

Hannah Tassler, flute / piccolo
Joshua Bullock, oboe
Triniti Rives, clarinet
Demetra Alikakos, bassoon
Nathan Cloeter, horn
Kiran Samuel, trombone
Sam Rachleff, percussion
Emily Richardson, Sofia Matthews, Hannah Corbett, David Hung, violins
Gabe Galley, Jimmy Cunningham, violas
Emma Cary, Samuel Sykes, cellos
Kevin Fink, double bass

written for the icarus Quartet
as part of their ‘22–’23 “iQ Tests” initiative

for two percussionists and two pianists

I. Triton
III. Europa

Some of the most fascinating worlds in our Solar System are moons that orbit gas giants. Four in particular, Triton (Neptune), Titan (Saturn), Europa (Jupiter), and Enceladus (Saturn), plausibly host liquid oceans.

Larry Weng, Ellen Hwangbo, pianists
Matt Kweon, Jeff Stern, percussionists

More details [linked here]